This robe is made from the most stunning and unusual hand painted silk in a design I have not seen before. Almost certainly painted in Guangzhou (Canton) province. It is quite exceptional. Many museums have export hand painted silk dresses, but I can't find any with similar fabric where they have combined a blue and white design with polychrome shades.
Most Chinese export items, including textiles, were traded through Guangzhou (Canton), and in 1753 was the only permitted port to trade. In 1750 almost 70,000 kilos of raw silk and nearly 20,000 silk goods were exported to Europe via the East India Company, with a third destined for Great Britain. It was used for bed and wall hangings, as well as dress fabric.
Fabric: A taffeta silk painted in the 1760s with mid blue, pale blue and ivory convolvulus trellis enclosing sprays of eight different flowers including orange honeysuckle, pinks, roses in deep pink and mauve and a blue star shaped flower.
Robe: The scooped neck with front opening bodice, with short extended front onto the skirt, the back bodice with squarish neck and three vertical central bones and seams, flanked by a further seam, all gathered into a gently curving open front and very trained skirt elbow length sleeves, the bodice and sleeves lined with fine glazed cotton.
The skirt has three full loom widths and two 22 inch; 56 cm widths, all with yellow selvedges.
Bust 34 in; 86 cm
Shoulder to hem front 53 in; 137 cm
Shoulder to trained skirt 70in ; 1.75 m
This robe had been badly remodeled. We removed the lining and put the bodice back to how it should be. The pleats to the skirt have been properly reinstated. The sleeves have been altered, perhaps taken in. The very back hem of the train is a little grubby.
See: Interwoven Globe 1500-1800 ed Amelia Peck p 297
What Clothes Reveal by Linda Baumgarten p 37
Of course the most famous Chinese hand painted gown was worn by Madam de Pompadour by Francois Hubert Dronais, in the National Gallery. See Kyoto's Fashion p101.
Price: on request
Ref N°: 8331
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