Michael O'Connell <Electronics</>Hanging
Michael O'Connell <Electronics</>Hanging
Michael O'Connell <Electronics</>Hanging
Michael O'Connell <Electronics</>Hanging
Michael O'Connell <Electronics</>Hanging
Michael O'Connell <Electronics</>Hanging

Michael O'Connell Hanging
Late 1950s

The above comes from: Michael O'Connell. The Lost Modernist by Harriet Edquist*

Electronics inspired by electrical engineering with circuits, brackets, Epsilons and Vees. O'Connell wrote: electronic symbols are more or less a foreign language to me and I believe it is for that very reason I take to them...it makes for greater associations of sentiment and romance which is an advantage.....the world today is full of graphical symbols. Traffic signs and advertisements surround us on all sides, but whatever the beginner in dyes decides to grip on to as his raw material, I would say conventionalise all shapes fully: avoid anything approaching realism.

Several variations of Electronics were produced, with one being displayed at the Ideal Home Exhibiiton at Olympia in the 1950s. It was also shown in 1961 at his solo exhibition at the Midland Group, a Nottingham and East Midlands group of artists who presented new art from 1943-1987.

O'Connell used specially formulated resists and dyes which were free hand painted and piped onto the mordanted fabric, then the whole work, once dry was dyed. After the Second World War, such newly developed techniques were used by O'Connell to create the Festival of Britain wall hangings. This hanging comes directly from O'Connell's family.

Electronics inspired O'Connell in 1961 to produce the publication Script-Design, on the theory of design on the medium of resist printing. It showed the development of the designs for Electronics.

The above comes from: Michael O'Connell. The Lost Modernist by Harriet Edquist*

 

 

Description

Signed Michael O'Connell, the circuit diagram in two dimensional motifs of blocks of colour resist painted in soft grey, pink, mavue, lime green, yellow, white and blue on a deep seagreen ground, on a heavy coarse textured linen. 

7ft 6 in x 4ft 2 in; 2.28 x 1.27 m

Condition

Very very good conditon.

Comments

See: ARTICLES for piece on Michael O'Connell.

*Michael O'Connell The Lost Modernist by Harriet Edquist p 136/7

Artists' Textiles in Britain 1945-1970. p 45, 60.

20th Century Pattern Design by Lesley Jackson p 74, 82,8398,99

www.artrepublic.com/articles/456-lino-cutting-and-the-grosvenor-school-of-modern-art

Price: on request

Ref N°: 8441

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